Aftersomemisunderstanding,SakaguchiishiredtomakeatouristguidevideoonTobako(afictitiousnameforKawaguchi)intheoutskirtsofTokyo.Thiselementinthescriptsparksoffafancifulwanderingstrewnwithunexpectedmeetings.FirstwithKitagawa,thankstowhomSakaguchilandedthejob.Thenwithaseamstress,andthenwithYoshino,withwhomahalf-heartedromanceemerges.Thusthenarrativeunfolds,inhaltsandswerves,espousingunexpectedmeetings,andofferingthestrollingcharacteranopportunityfordisplacementsfromoneplacetothenext.Thedesertedtownhascometoastandstill–theshootingtookplaceduringthelockdown–andthisactsasametaphorfortheidlenessofthecharacters.GardenSandboxislightandnimble,whereasitsmaincharacterhasalimp.Herdemeanourandherstiffbodyexudeapeculiarquality,somewhatcomicallyatoddswiththesetting.Apatheticallyplayingalong,theyoungwomangleansfromeachcharactersomepiecesofinformationaboutthetownand,then,touchbytouchshedelineatesitspicture:ultimately,theplacecomesacrossasapost-industriallocalewhosefoundriesarenowobsolete.Sakaguchi’sverymeanderingsleadhertoarichfamily’shouseforasewinglesson.Inthispivotalscene,theladyofthehouseinviteshertodonanupper-classweddingdress.Throughagesturebothradicalandpowerful,whichitselfinformsthedynamicofthefilmasawhole,agleefulsnipofthescissorstransformstheitemofclothingintotheultimatechicofhaute-couturedesign.WhatweavestogetherthistruantescapewhosemotifsandfabricseeminspiredbyJacquesRozier’sfilms,acrumblingindustrialheritageandthetransformingofatraditionalweddingdress?WithGardenSandbox,whosetitleisareferencetothetypeofsandusedinthefoundries,joyfullyandplayfully,YukinoriKurokawainterrogatestheconceptsofmutationand(re)useassourcesofboundlesspossibilities.(ClaireLasolleccc
关键词:公园的沙池 fictitious off sparks script element Tokyo.
Aftersomemisunderstanding,SakaguchiishiredtomakeatouristguidevideoonTobako(afictitiousnameforKawag
Aftersomemisunderstanding,SakaguchiishiredtomakeatouristguidevideoonTobako(afictitiousnameforKawaguchi)intheoutskirtsofTokyo.Thiselementinthescriptsparksoffafancifulwanderingstrewnwithunexpectedmeetings.FirstwithKitagawa,thankstowhomSakaguchilandedthejob.Thenwithaseamstress,andthenwithYoshino,withwhomahalf-heartedromanceemerges.Thusthenarrativeunfolds,inhaltsandswerves,espousingunexpectedmeetings,andofferingthestrollingcharacteranopportunityfordisplacementsfromoneplacetothenext.Thedesertedtownhascometoastandstill–theshootingtookplaceduringthelockdown–andthisactsasametaphorfortheidlenessofthecharacters.GardenSandboxislightandnimble,whereasitsmaincharacterhasalimp.Herdemeanourandherstiffbodyexudeapeculiarquality,somewhatcomicallyatoddswiththesetting.Apatheticallyplayingalong,theyoungwomangleansfromeachcharactersomepiecesofinformationaboutthetownand,then,touchbytouchshedelineatesitspicture:ultimately,theplacecomesacrossasapost-industriallocalewhosefoundriesarenowobsolete.Sakaguchi’sverymeanderingsleadhertoarichfamily’shouseforasewinglesson.Inthispivotalscene,theladyofthehouseinviteshertodonanupper-classweddingdress.Throughagesturebothradicalandpowerful,whichitselfinformsthedynamicofthefilmasawhole,agleefulsnipofthescissorstransformstheitemofclothingintotheultimatechicofhaute-couturedesign.WhatweavestogetherthistruantescapewhosemotifsandfabricseeminspiredbyJacquesRozier’sfilms,acrumblingindustrialheritageandthetransformingofatraditionalweddingdress?WithGardenSandbox,whosetitleisareferencetothetypeofsandusedinthefoundries,joyfullyandplayfully,YukinoriKurokawainterrogatestheconceptsofmutationand(re)useassourcesofboundlesspossibilities.(ClaireLasolleccc
公园的沙池于2022上映,本网站收录的该电影影片清晰度是HD中字,
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上映于(日本),是一部日本制片作品,
公园的沙池主演列表、影片相关资讯、海报图片、上映更新时间、主演其他影片、
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